Our final show just wrapped! This summer, I've been working with the amazingly talented Jon Gann to produce a Capital Fringe 2016 show on the famous "Rabbit Woman of Godalming," who gave birth to a series of rabbits--in parts--over the course of a few months in 1726. It was a song cycle, each song in …
Teaching in Tunisia
From March 3rd through the 9th, I was lucky enough to have been invited to give a series of lectures on modern American drama at the Institut Supérieur des Langues de Gabès in Tunisia. The experience was definitely a novel one for me, as I had never had the opportunity to travel outside of western …
Ion at the Shakespeare Theatre
Oh, what a wonderful thing theater is! I thoroughly enjoyed the Shakespeare Theatre's new production of Euripides' Ion, billed as a "Greek tragedy with a happy ending." Though the "happy" part of the "happy ending" is always subject to nuance and debate, as the viewer must necessarily question the tidiness with which that "happy ending" …
Ushering for “Fabulation; or, The Re-Education of Undine”
On Saturday, I immensely enjoyed ushering for the CenterStage's production of Fabulation; or, The Re-Education of Undine. This season has been fabulous--with only one exception, The Matchmaker, I've seen every show through the magic that is volunteerism, and I'm not quite sure what my favorite's been. The Kushner musical Caroline, or Change; the infamous Albee's …
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Tonya Howe 